Tuesday, November 15, 2011

Georgia Rule (Full Screen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC
No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 4-SEP-2007
Media Type: DVD When three generations of women collide, it isn't always pretty. In Georgia Rule, Lindsay Lohan (Mean Girls) stars as Rachel, a wild child whose mother Lilly (Felicity Huffman, Desperate Housewives) ships her off to Idaho to be tamed by Georgia (Jane Fonda, On Golden Pond)--Lilly's own cantankerous mom. There, 17-year-old Rachel shocks the conservative community with her short shorts, eager sexuality (which she plies on everyone from 12-year-old boys to unsophisticated, but hot, Mormon neighbors), and her tales of possible sexual abuse at the hands of her somewhat slimy stepfather (Cary Elwes, The Princess Bride).! As directed by Garry Marshall (Beaches, Pretty Woman), Georgia Rule is a flawed chick flick where the women are tolerable but not particularly likeable. The characters we want to know more about are the peripheral ones we don't see enough of--the men. Simon (Dermot Mulroney), the kindly (and sexy) veterinarian who was once madly in love with Lilly, in many ways is the film's moral compass. A widower whose wife and son died tragically in an accident, Simon would've made a more compelling movie subject than these women. And for all his latent pining for Lilly, the moviegoer feels relieved for him that dodged a bullet by not marrying into this dysfunctional family. While the female leads aren't quite believable as mother, daughter, and grandmother, they all have strong moments in the film that save it from being a groaning mess. While Lohan doesn't exhibit the charm she displayed in Mean Girls, she more than holds her own in parts with the scene-st! ealing Fonda, who is quite good at chewing up the scenery. ! --Jae-Ha Kim
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Victorinox Men's Power Stretch Glove, Black/Asphalt Grey, X-Large

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Color Me Kubrick

  • John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story. Format: DVD MOVIE Genre: DRAMA Rating: NR Age
John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story.Color Me Kubrick tells the slyly amusing and "true-ish" story about a brazen impostor who pretended to be one of the world's greatest filmmakers. As British comedies go it's ! a bit of a trifle, but constantly enjoyable for cinephiles devoted to Stanley Kubrick and his films. In a foppishly flamboyant performance, John Malkovich dons a fab-ulously colorful wardrobe and uses a comical variety of voices as Alan Conway, an eccentrically gay outcast who spent most of the 1990s convincing his gullible targets that he was Stanley Kubrick, despite bearing no resemblance to the real Kubrick and knowing next to nothing about the director's celebrated films. Preying (with startling success) upon their ignorance and their fawning desire to seek favors from this "legendary filmmaker," Conway conned his mostly gay victims into giving him money, sex, and other kinds of ill-earned appreciation, and Color Me Kubrick (completed two years before its simultaneous release to theaters and DVD) does a terrific job of showing how Conway managed to maintain this charade for nearly a decade before he was "outed" by New York Times columnist Frank Rich! , whose own encounter with Conway would eventually lead to the! faux-Ku brick's undoing.

It's pretty slight stuff, as comedies go, but it boasts plenty of authority behind the camera: Both director Brian Cook and screenwriter Anthony Frewin were close associates of Kubrick's for decades, and they have terrific fun by peppering their film with a variety of Kubrickian in-jokes, from the frequent use of music featured in Kubrick's own films to a variety of visual in-jokes that Kubrick worshippers will instantly recognize. Add to this Malkovich's crazily unhindered performance, and you've got a nice little cult comedy that will keep you laughing if you're in the right mood. Keep your eyes wide open for cameo appearances by Marisa Berenson (who appeared in Kubrick's Barry Lyndon), Peter Sallis (the voice of Wallace in the Wallace and Gromit films), and director Ken Russell, among others. --Jeff Shannon

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The Alphabet Killer

  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



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House of Flying Daggers [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A pair of police deputies at the end of China's Tang Dynasty attempt to save a beautiful dancer, with revolutionary ties, from capture.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JAN-2007
Media Type: DVDNo one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to! destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazz! ling surprises" (Rolling Stone). "A gorgeous entertainment" (A! .O. Scot t, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an u! nderground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer
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Skinny Bitch

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