Thursday, December 29, 2011

Charlotte's Web

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Cassandra's Dream

  • Ewan McGregor and Colin Farrell star as working brothers whose dreams of better lives leads to desperation, greed and deadly betrayal. When gambling debt and an expensive courtship place them in a financial bind, a rich uncle (Tom Wilkinson, Michael Clayton) offers them an out in exchange for committing murder. Featuring gripping performances from an all-star cast; "this family tragedy puts us
Ewan McGregor and Colin Farrell star as working class brothers whose dreams of better lives leads to desperation, greed and deadly betrayal. When gambling debt and an expensive courtship place them in a financial bind, a rich uncle (Tom Wilkinson, Michael Clayton) offers them an out in exchange for committing murder. Featuring gripping performances from an all-star cast; "this family tragedy puts us near the edge of our seats and pulls us right along on its downward spiral" (William Arnold, Seattle Pos! t Intelligencer). Woody Allen returns in razor-sharp form with this "intense, intelligently-written and directed," (Jeffrey Lyons, Reel Talk) thriller that challenges how far a man should go in the name of family.Scottish Ewan McGregor and Irish Colin Farrell play two Cockney brothers who get in over their heads when a wealthy relative asks for a favor. Woody Allen's sleek thriller Cassandra's Dream begins in innocent times: Ian (McGregor) and Terry (Farrell) buy a sailboat and name it Cassandra's Dream. But soon Terry falls afoul of gambling debts and Ian falls head over heels for a sultry actress who doesn't take him seriously, leading them to ask their uncle Howard (Tom Wilkinson) for money, which he's happy to give them--if they'll get rid of a man who's going to testify against him. The first half of Cassandra's Dream zips along with short, concise scenes and charismatic performances by the lead lads. Newcomer Hayley Atwell (Brideshead Revisited) i! s alluring as the actress, while Sally Hawkins (Persuasion) bri ngs warmth and sympathy to the underwritten role of Terry's girlfriend Kate. The second half--as with many of Allen's later films--seems to run out of steam, though there's still much to admire about Allen's clean, unfussy filmmaking. Regrettably, he seems to have lost the ability to sustain his imaginative spark. The weakness is in the writing; too many of the characters are barely sketched and clumsy lines of dialogue jar the ear in otherwise well-shaped scenes. But just when you're ready to throw up your hands, there's a moment of understated grace, in which Allen's simple visuals capture something with crystalline clarity. Cassandra's Dream is a frustrating movie, but it has its rewards. --Bret Fetzer
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Gardens of the Night

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Friday, December 16, 2011

Desolation Angels #3 (The Big Empty)

  • ISBN13: 9781595140081
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Readers of Flying the Alaska Wild marveled at Mort Mason’s true tales of braving the elements at the extremes in a Piper Super Cub.  But the bush pilot, adventurer, and raconteur was just beginning, and in this book he revisits his most memorable moments of flying by the seat of his pants through blizzards and white-outs, on assignments at times hazardous and sometimes simply whacky, always with a sense of humor and due respect for the limitless wilds of Alaska beneath his wings.  The world of a bush pilot really is the final frontier, and for thirty years Mort Mason was there, clocking enough heart-stopping miles to make most life-stories ! utterly incredible.  In The Alaska Bush Pilot Chronicles Mason recounts more of his unlikely adventures in the face of Alaska’s unforgiving weather and terrain.  His stories gives readers the rare chance to experience the disappearing thrills and challenges of meeting the American frontier on its own unyielding terms.

One year ago, a devastating plague called Strain 7 killed three quarters of the human race. Around the world, power systems failed and supply chains screeched to a halt. The surviving population of the United States has been relocated to the coasts; the heartland is now a wasteland called The Big Empty. But seven teens trying to put their lives back together will learn that the abandoned zone holds danger, secrets, and above all, hope.The secret community of Novo Mundum promised everything seven teens craved when the world they knew crumbled around them. But soon they realize that Novo Mundum is far from perfect. In fact, som! eone inside has the power to create an even scarier crisis tha! n Strain 7. This second installment takes readers deeper into the post-apocalyptic America from The Big Empty, following the characters as they uncover a shocking truth about the identity of the traitorIn the third installment of The Big Empty, the teens are on the run after making the shocking discovery that the leader of Novo Mundum, the secret community hidden in the middle of the evacuated Big Empty, is developing a new, even more dangerous virus.
The group faces a challenging trek through the forbidden zone as they search for someone they can trust. In a journey that will test their survival skills like nothing they've experienced so far, the teens' relationships are pushed to the breaking point, with one couple ripped apart for good. An unexpected reunion with someone from their past will prove to be a turning point-but will this familiar face bring salvation or ruin?
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Wednesday, December 14, 2011

Dragon Ball: Season One

  • The greatest adventure of all time begins now!Goku may be small, but this fearless warrior packs a punch as powerful as any on the planet. Left alone after his grandfather s death, this unusual boy is happy to spend his days hunting and eating and eating some more. But everything changes on the day he meets Bulma a bossy, blue-haired beauty with boys on the brain. Together, they set out to track d
The greatest adventure of all time begins now! pGoku may be small, but this fearless warrior packs a punch as powerful as any on the planet. Left alone after his grandfather’s death, this unusual boy is happy to spend his days hunting and eating and eating some more. But everything changes on the day he meets Bulma â€" a bossy, blue-haired beauty with boys on the brain. Together, they set out to track down the seven magic Dragon Balls and make the wish that will change their lives forever.

And ! that’s just the beginning! Goku also spends some time on Turtle Island where he and Krillin study martial arts under the legendary Master Roshi. The old hermit may not look like much, but if his new pupils can find him a woman, he’ll make sure they’re ready to rumble at the upcoming World Martial Arts Tournament!

Season One of Dragon Ball is a must-have for everyone from the die-hard fan to the next generation of collectors.In 1986, the animated adaptation of Akira Toriyama's manga Dragon Ball debuted on Japanese television, launching one of the most popular franchises in anime history. Dragon Ball introduced a special mixture of male bonding, rigorous training, martial arts fighting, slapstick comedy, and sci-fi action that scored a huge hit with boys and led to the follow-ups Dragon Ball Z and Dragon Ball GT--and numerous imitators. A small boy from another planet, Goku commands super-human strength, but he was raised in the remote mou! ntains by an old man and he knows little of the world. Goku me! ets Bulm a, who's trying to assemble the seven magical Dragon Balls so she can wish for a boyfriend. The naive boy and the hot-tempered girl join forces, then form a quarrelsome alliance with Oolong, the shape-shifting pig, and Yamcha, a dashing bandit with a metamorphic familiar, Puar. The heroes compete for the Dragon Balls against the pint-sized Emperor Pilaf (who wants to rule the world). After defeating Pilaf, Goku goes to study martial arts with Master Roshi, a lecherous but extraordinarily skilled old man. Goku and fellow student Krillin develop formidable powers that they use in the World Martial Arts Tournament. These episodes set the pattern for Dragon Ball and numerous other series: humans and creatures of all description train endlessly, then gather to pound the ramen out of each other before an audience. Naturally, the hero wins in an extended final match. The first adventures are lighter in tone and more broadly comic than the beginning of the darker Red Ribbon S! aga. For years, the first13 episodes of Dragon Ball were only available in the U.S. in the heavily edited set Saga of Goku, to the chagrin of the fans. Following their successful release of the complete Dragon Ball Z and Dragon Ball GT, Funimation is presenting Dragon Ball uncut and digitally restored. The series probably looks better now than it did when it premiered, as it was reportedly filmed in 16mm. Note: The sight of the prepubescent Goku and Krillin running around naked doesn't bother Japanese audiences. (Rated TV 14, but appropriate for ages 12 and up: nudity, risqué and toilet humor, cartoon violence, ethnic stereotypes, alcohol and tobacco use) --Charles Solomon

(1. Secret of the Dragon Balls, 2. The Emperor’s Quest, 3. The Nimbus Cloud of Roshi, 4. Oolong the Terrible, 5. Yamcha the Desert Bandit, 6. Keep an Eye on the Dragon Balls, 7. The Ox-King on Fire Mountain, 8. The Kamehameha Wave, 9. Boss Rabbit’s Magic T! ouch, 10. The Dragon Balls Are Stolen, 11. The Penalty Is Pinb! all, 12. A Wish to the Eternal Dragon, 13. The Legend of Goku, 14. Goku's Rival, 15. Look Out for Launch, 16. Find That Stone! 17. Milk Delivery, 18. The Turtle Hermit Way, 19. The Tournament Begins, 20. Elimination Round, 21. Smells Like Trouble, 22. Quarterfinals Begin, 23. Monster Beast Giran, 24. Krillin's Frantic Attack! 25. Danger From Above, 26, The Grand Finals, 27. Number One Under The Moon? 28. The Final Blow, 29. The Roaming Lake, 30. Pilaf and the Mystery Force, 31. Wedding Plans?)

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Sunday, December 11, 2011

Becoming Jane [Blu-ray]

  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
  • Aspect Ratio: 2.35:1
  • Run Time: 120 minutes
  • Actors: Guy Carleton, Philip Culhane, Joe Anderson (VI), Michael James Ford, Jessica Ashworth
Anne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel ! Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's! James McAvoy), while he's staying with relatives in rural! Hampshi re. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. FennessyAnne Hathaway (Love and Other Drugs) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane. It s the untold romance that inspired the novels of one of the world's most cel! ebrated authors. When the dashing Tom Lefroy (James McAvoy, Atonement), a reckless and penniless lawyer-to-be, enters Jane's life, he offends the emerging writer's sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane's dream of doing the unthinkable--marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you'll fall head over heels for.Like Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money! is tight. They hope to see their youngest daughter make a mor! e lucrat ive match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of ! the author's work. --Kathleen C. FennessyAnne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White ! Teeth) expands on events from Jane Austen's life that may ! have sha ped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lendin! g the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. Fennessy
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Crooks & Castles Men's Woven Quilted Stadium Jacket, Black, Small

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Monday, December 5, 2011

Alexander, Revisited - The Final Cut [Blu-ray]

  • Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and
Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now av! ailable on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as th! e film opens, his final moments serving to bookend the film's ! epic sto ry, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet.! As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon
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